National Museums Liverpool. The Auschwitz museum is holding a virtual event emphasising the fate of the 200,000 children who were murdered at the Nazi death camp in Poland, where only 700 youngsters were found alive. Stream Tracks and Playlists from Glasgow Museums Podcast on … Earlier this year, Glasgow Life appointed its first curator to look specifically at the legacies of slavery and the British Empire. ( Log Out /  I certainly seem to be joining at an exciting time, with cultural institutions looking … Continue reading Addressing the legacies of empire and slavery, Suriname, on the north coast of South America, became a Dutch colony in 1667, with numerous plantations for the production of commodities such as sugar, cotton, and coffee. The legacy of the extraordinary wealth that Glasgow accumulated on the back of enslaved labour is woven into the city’s physical environment and material culture. Greenwood’s remit as Curator (Legacies of Slavery & Empire) will include developing a programme of community engagement and collaborative research to reshape understandings of the connections between the slave trade and colonialism, and their contemporary legacies. In his role as curator, legacies of slavery and empire, Miles Greenwood will work with colleagues to create new displays demonstrating how enslaved labour is “woven into the city’s physical environment and material culture”. A display on the legacies of empire, race and globalisation will take place in the City Chambers. Although the artist remains a mystery there are enough clues from the clothes that the McCall family are wearing to date the painting to the late 1760s. Primary Menu. Each episode will offer a behind the scenes look at the inner workings of Glasgow Museums. Asante stools are usually carved from asese wood … Continue reading A Looted Royal Stool, In 1873–74 James McNeill Whistler (1834–1903) painted the portrait of Scottish historian and philosopher Thomas Carlyle (1795–1881). Robert Burns (1759–1796), the celebrated ploughman poet, is lauded for the humour and earthy realism of his poems that raised the status of the Scots dialect and showed new … Glasgow Life, which manages 11 museum sites, has appointed a curator to focus on the city’s links to the slave trade. Plantations produced crops, such as sugar cane and coffee, whilst livestock pens produced animals for labour on plantations and for consumption. Legacies of Slavery in Glasgow Museums and Collections Glasgow Museums has some wonderful cotton dresses dating from the early nineteenth century. Lady Margaret Mackenzie wrote to her Aunt, Lady Henrietta Dundas. There are also three sculptural portraits: an 1874 plaster bust by Austrian-born Joseph Edgar … Abstract. In September 2019, Telfair Museums announced the Legacy of Slavery in Savannah Initiative.. Thursday 9th April 2020 Read more about The festival was due to take place from 23 April until 10 May and bring a host of artists and exhibitions to venues across the city. The first shows St Nicholas, the Bishop of Myra (c 270 -343AD), dressed in his bishop’s regalia, stopping an executioner from beheading three kneeling military officers who had been falsely accused and sentenced to death. Both industries used the forced labour of enslaved peoples. A painting of tobacco lord John Glassford and his family by Archibald McLauchlan, dating from around 1767. toggle site navigation. On 28 November 1776, the day of his departure from … Continue reading Letters from Tobago, Glasgow Museums recently acquired the painting A Highland Chieftain: Portrait of Lord Mungo Murray (c.1683) by Scottish-trained artist John Michael Wright (1617–1694) with support from the National Lottery Heritage Fund, Art Fund, Friends of Glasgow Museums and National Fund for Acquisitions. In September 2018 Glasgow University, in a welcome move, published a report into its historical links to slavery, acknowledging that, although the university did not invest directly in the slave trade, it did receive donations from those who did. The Glasgow Museum of Modern Art has been earmarked as the perfect spot for a temporary exhibition until a dedicated museum is opened A CAMPAIGN for a Scottish Museum of Empire, Colonialism, Slavery and Migration is gaining momentum. He has developed community co-curated displays and exhibitions since 2007. As a result of this project, and based on the evidence … Miles Greenwood has been appointed as a curator who will focus directly on the legacies of slavery and empire in the city. However, not all is lost because this portrait has attracted more attention in recent years, such as Professor Eleanor Gordon’s assessment of it in 2014 when she interpreted it in … Continue reading Selling West Indian Sugar and Rum in Glasgow, This stunning tapestry in the Burrell Collection with its long-necked camels allows us to take a long view and look at the origins of the transatlantic slave trade. The legacy of the extraordinary wealth that Glasgow accumulated on the back of enslaved … In his role as curator, legacies of slavery and empire, Miles Greenwood will work with colleagues to create new displays demonstrating how enslaved labour is “woven into the city’s physical environment and material culture”. Legacies of the Dutch Slave Trade. What did she have to say about life with the Glassfords? Sir Robert Cann, 1st Baronet of Compton Greenfield (1622-1685), was a prominent merchant in Bristol and served as … Continue reading A Seat of Power, In Kelvingrove Art Gallery and Museum hangs Sir Henry Raeburn’s enormous double portrait of Robert Nutter Campbell and his wife, Margaret Montgomery. Glasgow Museums says: July 16, 2020 at 11:44 am Thank you for your feedback on the most recent Legacies of Slavery in Glasgow Museums and Collections blog post on Voyages of Exploration and Exploitation and for drawing my attention to the oversimplification of the sentence ‘mark the beginnings of European exploitation of other peoples and their lands’. Suriname, on the north coast of South America, became a Dutch colony in 1667, with numerous plantations for the production of commodities such as … This glass is one of the 9000 fine and decorative art objects donated to the city of Glasgow in 1944 by shipping magnate, Sir William Burrell, and his wife, Constance, Lady Burrell. This eighteenth-century Dutch drinking glass is engraved with a scene of a tea plantation. In 1807 The Slave Trade Act saw the official end of the slave trade in Britain. Robert Burns and Jamaica. ( Log Out /  SCOTLAND’S reckoning with slavery and empire has largely been focussed, for obvious reasons, on Glasgow. Glasgow Life said that the significance of the city’s links with slavery had been obscured in the 19th century and that as a result there are few objects directly relating to slavery … For example, on … Interview – new curator for legacies of slavery and empire in Glasgow’s museums on addressing colonialism’s impact. Enter your email address to follow this blog and receive notifications of new posts by email. Jennifer Anne Carvill. The Cann family amassed their wealth from plantations they owned in the Caribbean. Wheel-engraving on glass – the cutting and grinding of images onto glass using a fast turning metal disc – became a popular technique in the eighteenth century, used commonly by renowned Dutch engravers like Jacob Sang (1720-1786), the engraver of this glass. 45 Followers. Receive news about National Museums Liverpool, exhibitions, events and more. Each episode will offer a behind the scenes look at the inner workings of Glasgow Museums. Miles Greenwood has been appointed as a curator who will focus directly on the legacies of slavery and empire in the city. Glasgow Life said that the…Read more But inside one of the warehouses is a site with a darker mood: the Museum of London Docklands and its permanent exhibition on the slave trade, called “London, Sugar & Slavery.” This multifaceted project seeks to engage local Savannahians, artists, scholars, and activists to consider how the legacies of slavery still manifest in our city and what we can do to work toward justice. The legacies of the slave trade are complex and wide ranging and little agreement can be found as to what they may be and how they manifest themselves today. The last marriage was in 1768 to Lady Margaret Mackenzie. The painting has been displayed in Kelvingrove since 2006 as an example of Scottish art and civility. In his role as curator, legacies of slavery and empire, Miles Greenwood will work with colleagues to create new displays demonstrating how enslaved labour is “woven into the city’s physical environment and material culture”. This glass shows an idealised, pastoral scene of a tea plantation; enslaved Africans pick leaves from tea bushes in front of a large warehouse with machinery and a watermill against a background of mountains and palm trees. Anthony Lewis has been Curator of Scottish History since 2006. toggle site navigation. Arrangement in Racism and Black Injustice: Whistler’s Colour Theory, Thomas Carlyle, historian, writer, racist, Alexander Campbell, Glasgow’s Sugar Aristocrat, Inheritance and Privilege – Alexander Oswald of Changue, Addressing the legacies of empire and slavery, Robert Nutter Campbell, country gent and slave owner, Selling West Indian Sugar and Rum in Glasgow, Lady Margaret Mackenzie speaks – life with the Glassfords, View Kelvingrove.GlasgowMuseums’s profile on Facebook, View @KelvingroveArt’s profile on Twitter, Legacies of Slavery in Glasgow Museums and Collections, Glasgow City Archives and Special Collections. & Co. in 1750, changing to Speirs, Murdoch & Co in.! Year, Glasgow 's legacies of slavery today ; collections ; learn ; Shop ; toggle search art and.. Please visit http: //collections.glasgowmuseums.com/ Images ( c ) CSG CIC Glasgow Museums today... The inner workings of Glasgow Museums has some wonderful cotton dresses dating from early! 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